Love

Jun 19, 2017 — In his film debut, legendary director Nicholas Ray captured the mythic dimensions of the American open road through the story of an outlaw couple.

Jun 10, 2017 — In an excerpt from John Pierson’s irreverent IFC series Split Screen, the fifth installment of which premieres on the Criterion Channel today, Lars von Trier loosens up in front of the camera to explain the impetus behind Dogme 95.

Jun 1, 2017 — The hallmarks of Japanese master Yasujiro Ozu’s mature style were solidified in this highlight from his silent period, playing this week in Washington, D.C.

May 26, 2017 — The Quinzaine des Réalisateurs, known to most as Directors' Fortnight, a program running parallel to the Cannes Film Festival since 1969, is noncompetitive. Still, a handful of organizations with varying degrees of affiliation present awards on the same evening.This year’s...

May 25, 2017 — The vast majority of Cannes top-prize recipients have been either European or American, which makes it all the more worthwhile to note those winners that come from historically underrepresented nations. At the 1997 ceremony, Iran’s flourishing film culture enjoyed a...

May 25, 2017 — In Tuesday’s dispatch to the Village Voice from the Cannes Film Festival, Bilge Ebiri wrote about one of the best films he’d seen so far, The Rider, “directed by Chloé Zhao (whom I interviewed). It follows a young rodeo cowboy...

May 23, 2017 — “To premiere one film at Cannes is an honor,” writes Nicolas Rapold in the New York Times. “Being granted two slots in the lineup is a major distinction indeed. But for the prolific South Korean director Hong Sangsoo, the two...

May 23, 2017 — “If you told me you could make a modern Christmas classic largely set outside a doughnut shop on Santa Monica Boulevard, centered on transgender prostitutes and shot on iPhones, I wouldn’t have believed you,” begins Ben Kenigsberg at RogerEbert.com. “But...

May 21, 2017 — So the idea here should be self-evident, but just in case: click a title to see the first round of critical response—reviews, interviews, video, and so forth—and check back now and again, as nearly every entry below is updated for...

May 20, 2017 — “To fans of the mononymous Barbara—the delicate-voiced, emotionally acute French chanteuse adored by everyone from Jacques Brel to François Mitterand—Mathieu Amalric’s mega-meta, dreamily blurred biopic-within-a-film may seem a bemusing tribute to a national icon,” writes Guy Lodge at the top...