One of Hollywood’s earliest and most influential lovers-on-the-run thrillers, Nicholas Ray’s debut film, They Live by Night, encapsulates the tension between mobility and entrapment that the open road came to represent in the middle of the twentieth century. Adapting Edward Anderson’s Depression-era novel Thieves Like Us as an impressionistic crime drama, the film centers on the doomed relationship between escaped convict Bowie (Farley Granger) and an innocent young woman named Keechie (Cathy O’Donnell). Despite their attempts to build a new life together, the couple find themselves with nowhere left to turn, as Bowie is pursued by the cops and hounded by his fellow fugitives. On our newly released edition, critic Imogen Sara Smith discusses the ways that Ray’s groundbreaking film—which anticipated his career-long fascination with outsiders—captures the perils of life on the lam and the symbolic resonance of the road in the American imagination.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.