One of Hollywood’s earliest and most influential lovers-on-the-run thrillers, Nicholas Ray’s debut film, They Live by Night, encapsulates the tension between mobility and entrapment that the open road came to represent in the middle of the twentieth century. Adapting Edward Anderson’s Depression-era novel Thieves Like Us as an impressionistic crime drama, the film centers on the doomed relationship between escaped convict Bowie (Farley Granger) and an innocent young woman named Keechie (Cathy O’Donnell). Despite their attempts to build a new life together, the couple find themselves with nowhere left to turn, as Bowie is pursued by the cops and hounded by his fellow fugitives. On our newly released edition, critic Imogen Sara Smith discusses the ways that Ray’s groundbreaking film—which anticipated his career-long fascination with outsiders—captures the perils of life on the lam and the symbolic resonance of the road in the American imagination.
A Subtler Side of the Hepburn-Grant Magic
Filmmaker and distributor Michael Schlesinger and critic Michael Sragow dive into the pleasures of Holiday, a romantic-comedy classic that has long stood in the shadow of The Philadelphia Story but has a poignancy all its own.
Wim Wenders Looks Back on the Digital Future He Predicted
From search engines to all-engrossing handheld devices, the technologies that the German director conjured for his 1991 opus Until the End of the World are now common features of contemporary life.
John Bailey Breaks Down a Tour de Force of Gothic Lighting
The veteran cinematographer takes a close look at the highly stylized and atmospheric lighting in one of the most pivotal scenes in pre-Code classic The Story of Temple Drake.
All About Mankiewicz
One of the most celebrated Hollywood writer-directors of his time, Joseph L. Mankiewicz offers a window into the way he sees his characters in this illuminating clip from an archival interview.