Long Shot

Sep 17, 2026 — Our Halloween programming includes a tour of cinema’s scariest road movies, an anthology of TV-movie nightmares, and collections built around our fears of sinister intruders and mysterious possessive forces.

Sep 14, 2026 — May el-Toukhy’s Woman Unknown wins the Golden Lion, and NAZA, codirected by Rachel Szor and Yuval Abraham, wins a Special Jury Prize.

Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Aug 20, 2026 — A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.

Aug 19, 2026 — This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.

Aug 13, 2026 — In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.

Aug 11, 2026 — Known for her work with Ozu, Mizoguchi, and Kurosawa, Kagawa takes the spotlight in a series that opens with Naruse’s Little Peach.

Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.

Jul 29, 2026 — Film Comment presents a series of works featuring, focusing on, and/or written by the famed critic and novelist.

Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...