The Criterion Collection
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.
Jun 11, 2012 — Charlie Chaplin’s transcendent, visionary comedy is made up of one iconic moment after another.
Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her twenty books include Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Her feature-film credits...
Michael Koresky is the senior curator of film at Museum of the Moving Image; cofounder and editor of the online film magazine Reverse Shot, a publication of MoMI; the author of Sick and Dirty: Hollywood’s Gay Golden Age and the...
Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...
Short Takes
Jun 29, 2010 — We know that one of the most discussed aspects of a Criterion release is its cover art. So we wanted to draw your attention to a fascinating, entertaining blog post by Sam Smith, who designed the packaging for our new...
Dec 8, 2050 — By some remarkable alchemy, the modern Olympic Games and the cinema were born at nearly the same moment—between June 1894, when the first Olympic Congress was held in Paris under the inspired and visionary leadership of the French aristocrat Pierre...
Essays
May 30, 2050 — Odd Man Out, Carol Reed’s first masterpiece, introduced the theme that would shape all of his best films: a stranger’s groping quest through the labyrinth of a great city. The little French boy left to his own confused devices in...
Feb 14, 2050 — No genre is as bound up with America’s conflicted self-image as the western. But despite being rooted in such a historically specific iconography, the genre has proven adaptable to a wide array of international settings, its influence creeping into the...