The Criterion Collection
Nick James is the former editor of Sight and Sound magazine. His book on Michael Mann’s Heat was published in 2002. He has written for many publications and is a frequent contributor to Sight and Sound and the Observer.
Audie Bock is the author of Japanese Film Directors and Mikio Naruse: A Master of the Japanese Cinema, as well as the translator of Akira Kurosawa’s memoir, Something Like an Autobiography. She has taught Japanese cinema at colleges and universities...
Bernard Eisenschitz is a film historian and translator who lives in Paris. He is the author of Nicholas Ray: An American Journey and Fritz Lang au travail. He has written, and occasionally made film essays, about Soviet and German cinema,...
Dore Ashton is an author and critic. Her books include The Delicate Thread: Teshigahara’s Life in Art; Noguchi East and West; About Rothko; A Critical Study of Philip Guston; A Fable of Modern Art; and The New York School: A...
Marsha Kinder, professor emerita of critical studies at the University of Southern California, is the author of Blood Cinema: The Reconstruction of National Identity in Spain and the editor of Refiguring Spain, Luis Buñuel’s “The Discreet Charm of the Bourgeoisie,”...
Dudley Andrew, professor of film and comparative literature at Yale and author of What Cinema Is!, is the biographer of André Bazin and has written two books on French cinema and culture of the 1930s. He has also written on...
Dave Kehr is a critic and curator based in New York City. His books include When Movies Mattered and Movies That Mattered, both published by the University of Chicago Press.
Roberto Chiesi is cultural director of the Centro Studi—Archivio Pier Paolo Pasolini at the Cineteca di Bologna and a film critic for the Italian magazines Cineforum and Segnocinema. This piece originally appeared in the Criterion Collection’s 2008 DVD edition of...
Chris Darke is a writer and film critic based in London. His work has appeared in Film Comment, Sight & Sound, Trafic, and the Independent. He is also the author of Light Readings: Film Criticism and Screen Arts, a monograph...
Mark Le Fanu teaches film at University College London. He has written extensively about Russian and Japanese cinema. His most recent book, Believing in Film: Christianity and Classic European Cinema (Bloomsbury, 2018), has just been issued in paperback.