Henry Geldzahler

Benjamin Mercer is a senior editor at the Criterion Collection. He has written for the A.V. Club, the Village Voice, Reverse Shot, and the Henry James Review, among other publications.

Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...

Oct 11, 2016 — Before the New York Film Festival premiere of Hermia and Helena, his 2016 riff on A Midsummer Night’s Dream, the Argentine director stopped by to discuss the Bard and the movies that shaped him as a filmmaker.

May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.

Apr 28, 2009 — For his ongoing series “Philip French’s Screen Legends,” begun in January 2008 on the Guardian’s website, the British film critic has been profiling the “great actors in film, choosing their key works and assessing their legacy,” in neat little encapsulations....

Sep 4, 2026 — Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.

Aug 31, 2026 — The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.

Aug 21, 2026 — Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.

Aug 20, 2026 — A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.

Aug 19, 2026 — This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.