Jul 22, 2026 The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jul 14, 2026 In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud would be Ritt’s ninth feature but his first personal...

Jul 14, 2026 One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

Being There

The Daily

Jul 10, 2026 We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.

Jul 9, 2026 Deep Dives One of the most mischievous figures in world cinema, Věra Chytilová is still best known for Daisies, the daring 1966 film whose gonzo vision of female rebellion and empowerment launched her into the public eye. This Czechoslovak New...

Jun 23, 2026 “Ozone Hole over Baltimore?” queries a panicky 1992 headline in the Baltimore Sun. Sure, as the article clarifies, the Maryland metropolis, eternal home base of trash icon John Waters, is no more vulnerable to ozone depletion than any other city...

Jun 22, 2026 A quiet highlight of last fall’s festival season, Milagros Mumenthaler’s third feature tours theaters through July.

Jun 10, 2026 Early reviews of his thirty-fifth feature may be all over the place, but appreciation of the man himself is universal.

May 29, 2026 We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

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