La Déshabillage impossible

Irene Bignardi was the film critic for the Italian daily La repubblica for fifteen years and later the director of the Locarno Film Festival. She is now critic at large for La repubblica and the author of Memorie estorte a...

Christopher Faulkner is a professor of film studies and the director of the interdisciplinary Cultural Mediations Ph.D. program at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, La Règle...

Tullio Kezich wrote the biography Fellini and a diary of the shooting of La dolce vita. He also cowrote the screenplay for The Legend of the Holy Drinker with Ermanno Olmi. This piece previously appeared in the Criterion Collection’s 2001...

Manohla Dargis is the film director for the L.A. Weekly.

John Powers has been the film critic for LA Weekly, Vogue, and NPR’s Fresh Air with Terry Gross, where he is presently critic at large. He’s the cowriter (with Wong Kar Wai) of the 2016 book WKW: The Cinema of...

Jan 23, 2024 — In the first ten years of her extraordinary career, the Belgian filmmaker used the raw materials of quotidian, marginal lives to spark a radical reinvention of cinema.

Nov 21, 2023 — What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...

Sep 26, 2023 — In this vibrant, music-filled portrait of an artist and his community, director Luis Valdez gathers what little is known about rock-and-roll idol Ritchie Valens and fuses it with a lived-in understanding of what it is to be Chicano.

Jul 20, 2021 — Dismissed as gossip-column fodder in its time, Jacques Deray’s cooly enigmatic villa thriller is an exploration of masculine vanity and feminine disillusion.

Aug 11, 2020 — The Complete Films of Agnès Varda The poster for the seventy-second Cannes Film Festival, held in May 2019, used a photograph taken during the shooting of Agnès Varda’s first film, La Pointe Courte, in 1954. Wearing rolled-up trousers, a shirt,...