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Dec 20, 2017 In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.

Sep 28, 2011 As a film student at the University of Southern California, new to LA and without connections, Patricia Resnick had a habit of following film trucks, just to see where they’d lead. One took her to Westwood and the set of...

Jun 11, 2025 Acropolis Cinema presents the LA premiere of The Damned and the world premiere of a new restoration of The Passage.

Diverging Futures

The Daily

Apr 25, 2025 A busy week brings writing on the LA Rebellion, Jean-Luc Godard, and Elaine May, and a conversation with Pedro Almodóvar.

Nov 9, 2023 The subtitle of the series Yasmina Price has programmed for BAM: Cinema, Surrealism, Marxism.

Oct 18, 2022 Drawing from Latin American folklore, Jayro Bustamente conjures an intimate, supernatural tale that engages with Guatemala’s history of violence.

Nov 2, 2021 Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.

Aug 11, 2020 The Complete Films of Agnès Varda In September 2018, I screened Agnès Varda and JR’s Faces Places for the Michigan State University Film Collective. We had a lively discussion that went past the scheduled ending time. As I was getting...

Feb 7, 2012 La Jetée (1963) and Sans Soleil (1983), made a tidy twenty years apart, are the twin peaks of Chris Marker’s creative achievements and his best-loved and most widely seen films. But who is Chris Marker? Writer, photographer, editor, filmmaker, videographer,...

Apr 16, 2007 Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.

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