The Criterion Collection
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...
Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...
Essays
Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.
Jul 25, 2005 — Seijun Suzuki stages a fearsome guerrilla night raid on an axis of oppression that includes the state, the church, the U.S. military occupation, and both the commercial exploitation of sexuality and the nonprofit pleasures of carnal love.
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.
Oct 2, 2025 — In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.
Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.
The Daily
May 26, 2023 — This year saw the return of Michel Gondry, a strong showing from New York, and a bittersweet love story from Georgia.
Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...