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Chaotic Collisions

The Daily

Aug 8, 2025 — This week: Edward Yang, Kiyoshi Kurosawa, and alternative lists of the best films of the twenty-first century.

Mar 27, 2018 — Actress Stéphane Audran has passed away at the age of eighty-five, reports Deadline’s Nancy Tartaglione. “Audran, whose real name was Colette Dacheville, is known for her long collaboration with Claude Chabrol to whom she was married from 1964–1980. She also...

Jul 5, 2018 — As part of a date-night series, the Robinson Film Center in Shreveport screens the greatest baseball movie of all time on the same day our release hits stores.

May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Jun 12, 2024 — This summer, we’re bringing back one of our favorite seasonal themes with a hard-boiled Neonoir collection. Plus: Pop Shakespeare, Times Square, and Columbia Screwball.

Jan 29, 2024 — Get ready for Valentine’s Day with a collection of otherworldly love stories, and celebrate Black History Month with a selection of films exploring African American history.

May 21, 2020 — Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...

Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.

The Bank Dick

Essays

Aug 28, 2000 — In what is arguably his most popular and enduring feature, W. C. Fields nails the American tendency to inflate one’s importance.

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