One, Two, Three

Nov 18, 2025 — This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.

Nov 10, 2025 — Olivia Laing’s second novel is set in mid-1970s Rome, where Fellini is shooting Casanova and Pasolini is at work on Salò.

Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.

Nov 6, 2025 — In the run-up to the release of Jay Kelly, the American Cinematheque presents a five-film series.

Nov 4, 2025 — The director of La commune and The War Game shook up viewers with dramatizations historical conflicts and imminent futures.

Oct 30, 2025 — The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.

Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.

Oct 29, 2025 — In her intensely personal debut feature, the filmmaker and poet investigates the myths that have shaped South African history through a mix of archival footage, poetic remembrances, and conversations with friends and family.

Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.

Oct 28, 2025 — An adaptation of a classic pulp novel by William Lindsay Gresham, Guillermo del Toro’s first foray into film noir is an intensely evocative exploration of how human impulses can give rise to monsters.