ByJanuary 26, 2010
Unlike the more aesthetically and intellectually conceived French New Wave, Italian neorealism was above all an ethical initiative—a way of saying that people were important, occasioned by a war . . . Read more »
The concluding chapter of Roberto Rossellini’s War Trilogy is the most devastating, a portrait of an obliterated Berlin, seen through the eyes of a twelve-year-old boy. Living in a bombed-out apartment building with his sick father and two older siblings, young Edmund is mostly left to wander unsupervised, getting ensnared in the black-market schemes of a group of teenagers and coming under the nefarious influence of a Nazi-sympathizing ex-teacher. Germany Year Zero (Deutschland im Jahre Null) is a daring, gut-wrenching look at the consequences of fascism, for society and the individual.