The Criterion Collection
• Richard Brody on the ecstasy of L’Atalante
• David Bordwell on the digital conversion—and the Night and the City print that made Jules Dassin weep
• A bevy of posters from Moonrise Kingdom come
• There Will (Not?) Be Scientology
• Pauline Kael, performance artist
• Claire Danes finds Lena Dunham unnervingly relatable
• Good night, sweet Phantom
Tinseltown’s golden age comes to life in this supplemental guide to our conversation with journalist Philippe Garnier.
With his feature debut now in theaters, one of our longtime contributors shares his memories of the moviegoing experiences that have shaped him.
The great French editor talks about growing up in the cutting room and how she became one of Costa-Gavras’s most trusted collaborators.
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.