Ground control has been receiving strange transmissions from the three remaining residents of the Solaris space station. When cosmonaut and psychologist Kris Kelvin is sent to investigate, he experiences the strange phenomena that afflict the Solaris crew, sending him on a voyage into the darkest recesses of his own consciousness. In Solaris, legendary Russian filmmaker Andrei Tarkovsky creates a brilliantly original science-fiction epic that challenges our preconceived notions of love, truth, and humanity itself.
| Khari | Natalya Bondarchuk |
| Snauth | Jüri Järvet |
| Kris Kelvin | Donatas Banionis |
| Sartorius | Anatoli Solonitsin |
| Burton | Vladislav Dvorzhetsky |
| Director | Andrei Tarkovsky |
| Screenplay | Andrei Tarkovsky and Fridrikh Gorenshtein |
| From the novel by | Stanislaw Lem |
| Music | Eduard Artemyev |
| Cinematography | Vadim Yusov |
| Production Design | Mikhail Romadin |
| Editing | Nina Marcus and Lyudmila Feigonova |
SPECIAL EDITION DOUBLE-DISC SET:
In Tempo di viaggio (1983), the doodle Andrei Tarkovsky and Tonino Guerra made for Italian TV as they prepped Nostalghia, the great struggling Russian answers a question about genre films by saying that his Solaris (1972) is “not so good,” essentially because it is science . . .
Andrei Tarkovsky belongs to that handful of filmmakers (Dreyer, Bresson, Vigo, Tati) who, with a small, concentrated body of work, created a universe. Though he made only seven features, thwarted by Soviet censors and then by cancer, each honored his ambition to crash through the surface of . . .
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