Studio Visits

13 Results

Studio Visits

Caitlin Kuhwald’s Hand-Drawn Portraits Bring Iconic Faces to Life

The Los Angeles–based artist behind the covers for our editions of Amarcord and The Awful Truth discusses the evolution of her work.

Studio Visits

An Inside Look at Brooklyn-Based Artist Juan Miguel Marin’s Meditative Process

The man behind the artwork for our releases of The Cremator, Man Push Cart, and Chop Shop talks with us about how his Ecuadorian roots and his love of performance inform his enigmatic images.

Studio Visits

Gian Galang Summons the Kinetic Energy of a Martial-Arts Icon

The artist behind the images in our upcoming Bruce Lee box set shows us how he captured the legend’s most iconic poses.

Studio Visits

Illustrator Josh Cochran Taps into His Dark Side

Known for his bold colors and humorous drawings, the Brooklyn-based artist took on the challenge of summoning a stark, ominous intensity for our covers of Wise Blood and Shallow Grave.

Studio Visits

Yuko Shimizu’s Fresh Look for an Iconic Beast

The Tokyo-born, New York–based illustrator takes us inside the process behind creating her eye-popping artwork for our Godzilla collector’s set.

Studio Visits

Danielle Mastrion Gives Spike Lee’s Masterpiece a Brooklyn-Style Tribute

To celebrate the thirtieth anniversary of Do the Right Thing, the Brooklyn-based artist painted a mural that served as the basis for the cover of our edition.

Studio Visits

Gregory Manchess’s Visions in Oil

The veteran illustrator behind our covers for Jubal, 3:10 to Yuma, and A Night to Remember invites us inside his creative process.

Studio Visits

How Sam Smith Finds Inspiration in the History of Poster Art

The longtime Criterion collaborator behind our covers for Japón, House, and Modern Times combines his love for film and design in his vividly colorful artwork.

Studio Visits

A Close-Up on Greg Ruth’s Genre-Infused Portraiture

The artist behind our covers for Notorious, Dragon Inn, and Moonrise shows us how he achieves the simple but hauntingly beautiful effects in his illustrations.

Studio Visits

Angela Rizza Conjures Magic with The Princess Bride

Known for her lush and imaginative children’s-book illustrations, the artist got her dream assignment when we asked her to work on our edition of Rob Reiner’s beloved classic.

Studio Visits

Ping Zhu Harnesses the Wild Energy of Tampopo

With her thick, flowing brushstrokes and eccentric sensibility, illustrator Ping Zhu captured the buoyant flavor of Juzo Itami’s “ramen western.”

Studio Visits

Richard Haines Gets Messy with Tom Jones

When we asked the beloved fashion illustrator to work on our cover for Tony Richardson’s Tom Jones, he delivered a playful look that matches the film’s modern sensibility.

Studio Visits

Riccardo Vecchio Paints Certain Women

Go inside the process of creating a Criterion cover with Riccardo Vecchio, who painted the artwork for our edition of Kelly Reichardt’s Certain Women.