The Rules According to Bertolucci
Mar 3, 2010The Guardian has begun an exciting new short essay series called The Film That Changed My Life, and the first entry brings together two titans of cinema history. Bernardo Bertolucci writes lovingly . . .
France
1939
106 minutes
Black and White
1.33:1
French
216
Widely regarded as one of the greatest films ever made, Jean Renoir’s masterpiece The Rules of the Game (La Règle du jeu) is a scathing critique of corrupt French society cloaked in a comedy of manners. Although the original negative was destroyed during World War II, this edition features the fully reconstructed version embraced by audiences and critics around the world as a timeless representation of Renoir’s genius.
| Christine de La Chesnaye | Nora Gregor |
| Lisette | Paulette Dubost |
| Geneviève de Marras | Mila Parély |
| Charlotte de La Plante | Odette Talazac |
| Octave | Jean Renoir |
| Marquis Robert de La Chesnaye | Marcel Dalio |
| André Jurieu | Roland Toutain |
| Schumacher | Gaston Modot |
| The general | Pierre Magnier |
| M. de Saint-Aubin | Pierre Nay |
| La Bruyère | Richard Francœur |
| Mme. la Bruyère | Claire Gérard |
| Jackie | Anne Mayen |
| Marceau | Julien Carette |
| Corneille | Eddy Debray |
| The cook | Léon Larive |
| Radio reporter | Lise Élina |
| English domestic | Henri Cartier-Bresson |
| Director | Jean Renoir |
| Screenplay | Jean Renoir and Carl Koch |
| Dialogue | Jean Renoir |
| Director of photography | Jean Bachelet |
| Cinematography | Jacques Lemare, Alain Renoir and Jean-Paul Alphen |
| Producer | Claude Renoir Sr. |
| Production Design | Max Douy and Eugene Lourie |
| Editing | Marguerite Renoir |
| Assistant director | Henri Cartier-Bresson and André Zwobada |
| Sound | Joseph de Bretagne |
| Still photography | Sam Lévin |
| Music | Mozart, Monsigny, Salabert, Saint-Saëns and Chopin |
| Music arranged by | Roger Désormières and Joseph Kosma |
| Costumes | Chanel |
| Production manager | Pillion |
| Administration | Camille François |
SPECIAL EDITION DOUBLE-DISC SET:
The Guardian has begun an exciting new short essay series called The Film That Changed My Life, and the first entry brings together two titans of cinema history. Bernardo Bertolucci writes lovingly . . .
By February 1939 it no longer seemed evident that the surrender of Czechoslovakia to Adolf Hitler at Munich had “saved the peace.” Soon a sense of doom would hang over Europe. In this atmosphere Jean Renoir, anticipating war and deeply troubled by the mood he felt around him, thought he might . . .
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