Notes for Magellan
May 03, 2012
An icon of the American avant-garde, Hollis Frampton made rigorous, audacious, brainy, and downright thrilling films, leaving behind a body of work that remains unparalleled. In the 1960s, having already been a poet and a photographer, Frampton became fascinated with the possibilities of 16 mm filmmaking. In such radically playful and visually and sonically arresting works as Surface Tension, Zorns Lemma, (nostalgia), Critical Mass, and the enormous, unfinished Magellan cycle (cut short by his death at age forty-eight), Frampton repurposes cinema itself, making it into something by turns literary, mathematical, sculptural, and simply beautiful—and always captivating. This collection of works by the essential artist—the first release of its kind—includes twenty-four films, dating from 1966 to 1979.
| Director | Hollis Frampton |
EARLY FILMS
Manual of Arms (1966 • 17 minutes, 10 seconds • Black & White • Silent)
Process Red (1966 • 3 minutes, 37 seconds • Color • Silent)
Maxwell’s Demon (1968 • 3 minutes, 44 seconds • Color • Mono)
Surface Tension (1968 • 9 minutes, 30 seconds • Color • Mono)
Carrots & Peas (1969 • 5 minutes, 21 seconds • Color • Mono)
Lemon (1969 • 7 minutes, 17 seconds • Color • Silent)
Zorns Lemma (1970 • 59 minutes, 51 seconds • Color • Mono)
FILMS FROM HAPAX LEGOMENA
(nostalgia) (1971 • 36 minutes, 7 seconds • Black & White • Mono)
Poetic Justice (1972 • 31 minutes, 28 seconds • Black & White • Silent)
Critical Mass (1971 • 25 minutes, 11 seconds • Black & White • Mono)
FILMS FROM MAGELLAN
The Birth of Magellan
The Birth of Magellan: Cadenza I (1977–1980 • 5 minutes, 41 seconds • Color • Mono)
Straits of Magellan
Pans 0–4 and 697–700 (1969–74 • 1-minute each • Color • Silent)
INGENIVM NOBIS IPSA PVELLA FECIT, Part I (1975 • 4 minutes, 48 seconds • Color • Silent)
Magellan: At the Gates of Death, Part I: The Red Gate 1, 0 (1976 • 5 minutes, 10 seconds • Color • Silent)
Winter Solstice (1974 • 32 minutes, 36 seconds • Color • Silent)
The Death of Magellan
Gloria! (1979 • 9 minutes, 36 seconds • Color • Mono)
By April 24, 2012
In his work, Frampton changed the very shape of cinema into an ecstatic hybrid of mathematics . . . Read more »
By April 24, 2012
With a projector, a screen, some red cellophane, a pipe cleaner, and this script, you can . . . Read more »
By April 24, 2012
In his work, Frampton changed the very shape of cinema into an ecstatic hybrid of mathematics . . . Read more »
By April 24, 2012
In his work, Frampton changed the very shape of cinema into an ecstatic hybrid of mathematics . . . Read more »
By April 24, 2012
With a projector, a screen, some red cellophane, a pipe cleaner, and this script, you can . . . Read more »
April 06, 2012
Images by the avant-garde icon can be seen at Anthology Film Archives this weekend. Read more »