ByJanuary 20, 2010
A BELGIAN IN NEW YORK It was in the 1970s, the first decade of her career, that Belgian . . . Read more »
In Chantal Akerman’s early short film La chambre, we see the furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back at us. This breakthrough formal experiment is the first film the director made in New York.