Press Notes: Chantal Akerman in the Seventies
Jan 27, 2010Fans of our release of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles last year can get a healthy second dose of Chantal Akerman with our newhttp://www.criterion.com/boxsets . . .
Belgium, United States
1972
11 minutes
Color
1.33:1
In Chantal Akerman’s early short film La chambre, we see the furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back at us. This breakthrough formal experiment is the first film the director made in New York.
| Chantal Akerman |
| Director | Chantal Akerman |
| Camera | Babette Mangolte |
| Editing | Geneviève Luciano |
Fans of our release of Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles last year can get a healthy second dose of Chantal Akerman with our newhttp://www.criterion.com/boxsets . . .
To coincide with the release of the new Eclipse set Chantal Akerman in the Seventies, which features five extraordinary works made by the groundbreaking Belgian filmmaker in the first full decade of her career, critic Melissa . . .
A BELGIAN IN NEW YORK It was in the 1970s, the first decade of her career, that Belgian filmmaker Chantal Akerman created the works that would define her. Informed as much by her brushes . . .
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