Apr 14, 2025 — This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

Jul 27, 2022 — Beat the heat with our extensive survey of Chinese representation in American film as well as tributes to Yaphet Kotto, David Gulpilil, and Myrna Loy.

Love will make you do the damnedest things.

May 28, 2026 — Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.

Jul 24, 2023 — One of the UK’s great celebrations of classic cinema opens in Bristol on Wednesday and runs through the weekend.

Jun 6, 2023 — The Hungarian filmmaker will give introductions and take questions during retrospectives hosted by the American Cinematheque and Film at Lincoln Center.

Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...

May 21, 2007 — In January 1948, British film producer Sir Alexander Korda, head of British-Lion and London Film Productions, commissioned novelist Graham Greene to write and research “an original postwar continental story to be based on either or both of the following territories:...

Nov 8, 1999 — In The Third Man—probably the greatest British thriller of the postwar era—director Carol Reed and screenwriter Graham Greene set a fable of moral corruption in a world of near-Byzantine visual complexity: the streets and ruins of occupied Vienna. It is...