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Aug 6, 2026 — Kent Jones’s work as a director includes the multiple-award-winning Diane (2019); the documentary landmark Hitchcock/Truffaut (2015); and A Letter to Elia (2010), codirected with Martin Scorsese. A longtime collaborator of Scorsese’s, Jones cowrote the director’s epic documentary My Voyage to...

Jul 19, 2011 — Comedians, writers, and producers Robert Ben Garant and Tom Lennon split their duties in selecting their favorite titles from the collection: the first five are from Lennon, the last are from Garant. Best known for their work on The State...

Barry Jenkins is a film director and screenwriter. He directed and cowrote the film Moonlight, which won the Academy Award for Best Picture in 2016. In 2018, he wrote and directed a film adaptation of James Baldwin’s novel If Beale...

James Robison has won a Whiting Award for his short fiction and a Rosenthal Award from the American Academy of Arts and Letters for his first novel, The Illustrator. His work has appeared in Best American Short Stories, the New...

Kim Morgan is a film writer and screenwriter whose work has appeared in Sight and Sound, Filmmaker magazine, the Los Angeles Review of Books, and the New Beverly Cinema blog, as well as her own blog, Sunset Gun. She cowrote...

Tullio Kezich wrote the biography Fellini and a diary of the shooting of La dolce vita. He also cowrote the screenplay for The Legend of the Holy Drinker with Ermanno Olmi. This piece previously appeared in the Criterion Collection’s 2001...

Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.

Aug 4, 2021 — The Weeknd, Alice Rohrwacher, and Andrew Haigh set up new series; plus updates on series coming from Park Chan-wook and Olivier Assayas.

May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.

Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.

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