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Watch Now On The Criterion Channel

Jan 15, 2009 I have never seen New York look so beautifully grand as it did during my trip to Paris this New Year’s. Maybe I should explain. It was my great fortune to be visiting the City of Light while the intensely...

Jun 23, 2026 A monthly series brings films worth making time for to an artist-run space in the Bay Area.

Oct 15, 2050 Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Apr 27, 2026 During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...

Oct 16, 2025 This month, join us for a Thanksgiving feast of some of the movies’ most memorable family reunions, or delve into the dark alleyways of noir mysteries built around protagonists tormented by amnesia, memory holes, and drunken blackouts.

Deeper into Ozu

Features

Dec 12, 2023 Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...

Jan 26, 2023 This great director from the golden age of Mexican cinema drew upon a wide range of styles to explore the conflict between tradition and modernity.

Jun 1, 2022 With his love of dissonance and bold use of dramatic motifs, the Hungarian-born composer Miklós Rózsa popularized a whole new style of film music.

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Nov 17, 2021 Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...

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