May 15, 2015 — The challenge of designing this box set was in finding a way to convey both the vast scope of the filmmaker’s overarching project—documenting the unique idiosyncrasies of regions and communities rarely seen on film—and the warm, casual intimacy of the...

Oct 28, 2011 — The following is excerpted from a 1972 interview that film scholar Joan Mellen conducted with director Kaneto Shindo. The interview originally appeared in the 1975 book Voices from the Japanese Cinema. I find the social dimension of your films very...

Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.

Jul 31, 2012 — Aki Kaurismäki’s latest working-class fable is his warmest, and his most political.

Jun 10, 2010 — Fans of Carl Theodor Dreyer’s films (which really should include any lover of cinema) have reason to celebrate. The long-gestating website devoted to the Danish director, Carl Th. Dreyer—The Man and His Work, launched at the end of May and...

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

May 11, 2017 — Steve Gunn is regarded as one of the finest guitar players of our era. The Philadelphia native got off to an early start in high school punk bands before establishing himself as a player in different genres and touring internationally....

Jun 30, 2016 — Since presenting her first runway show in 1991, fashion designer Anna Sui has transformed her singular sensibility into a clothing empire. Now a fashion icon whose designs can be found all over the world, her distinctive style is eclectic, vibrant,...

Feb 26, 2015 — Ben Wheatley is the director of Down Terrace, Kill List, Sightseers, and A Field in England. He says: “Criterion, to me, has always been an exclusive collection. It stood out due to the choices they made and the design. But...

These two filmmakers forged an alliance that lasted from the late thirties to the early seventies, making their mark on the world of British cinema by always going against its realist strain.