La bienamada

Oct 16, 2017 — J. Hoberman will be at Light Industry in New York tomorrow evening to introduce a program of films he’s calling Against Riefenstahl: Charles A. Ridley’s The Lambeth Walk (1940), Frank Capra and Anatole Litvak’s Why We Fight: The Nazis Strike...

Oct 12, 2017 — The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...

Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Oct 11, 2017 — The Literary Hub is running excerpts from A Dance with Fred Astaire in which Jonas Mekas recalls his encounters with Anaïs Nin, Arthur Miller, Allen Ginsberg, and Aldous Huxley. Stan Brakhage (image above) wrote Metaphors on Vision in 1963, putting...

Oct 10, 2017 — Philippe Garrel will introduce this evening’s presentation of a new restoration of his 1979 film L’Enfant secret, starring the late Anne Wiazemsky (image above), and then take part in Q&As later tonight and again tomorrow (with his daughter Esther Garrel)...

Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

Oct 7, 2017 — The Day After is one of two films by Hong Sang-soo screening as part of the New York Film Festival’s Main Slate (the other being On the Beach at Night Alone) and, as Zach Lewis notes at In Review Online,...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Oct 5, 2017 — “The French writer and actress Anne Wiazemsky, who famously wrote a best-selling account of her short marriage to New Wave director Jean-Luc Godard, died of cancer in Paris on Thursday,” reports the AFP. Wiazemsky, who was seventy, “made her screen...

Oct 4, 2017 — We begin with Richard Brody, writing in the New Yorker about Alain Gomis’s Félicité, “a dramatic portrait of a fierce, intrepid woman—a single mother and a powerfully expressive cabaret singer (Véro Tshanda Beya Mputu) in Kinshasa who is wrenched from...