The Criterion Collection
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
The Daily
May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.
The Daily
Apr 24, 2019 — American cinema has lost one of its most visionary artists.
Interviews
Apr 15, 2019 — It’s one thing to have wild cinematic ambitions, and quite another to pursue them without a strong technical skill set and years of apprenticeship in the craft. But from the beginning of his career, the twenty-nine-year-old, mostly self-taught filmmaker Bi...
Mar 28, 2019 — Flashbacks No filmmaker of his generation from Eastern Europe could match the charisma and originality of Dušan Makavejev. Forever bustling from festival to festival with his inspiring wife Bojana Marijan—who contributed to the sound and music on many of his...
The Daily
Nov 26, 2018 — The cinematographer-turned-director reinvigorated British cinema with bold color and nonlinear storytelling.
Nov 15, 2018 — In two made-for-television productions, a middle-aged Ingmar Bergman blurred the boundaries between screen and stage.
Sep 26, 2018 — The completion of the project Welles began in the 1970s is one of the major cinematic events of the year.
Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.
Features
Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...