There It Is

May 31, 1990 — Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...

Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.

Nov 19, 1989 — After finishing High and Low (1963), director Akira Kurosawa recalls, “I started looking around for something else to do and quite by accident picked up [the novel] Red Beard by Shugoro Yamamoto. At first I thought it would make a...

Feb 1, 1988 — Charles Laughton’s classic has the feel and the force of an American folk fable; yet, it also mixes rural humor with gothic humor, biblical quotation and Freudian symbolism, and everyday realities with a near-mythic confrontation between the forces of good...

Dec 15, 1986 — It has been estimated that one out of four feature films made in America before the mid-1960s was a western. Since approximately 35,000 features were released in this country in the 70 years after the introduction of film, this would...

Oct 15, 2026 — As Once Upon a Time in Harlem begins its theatrical run, two series celebrate the filmmaker’s centennial.

Oct 13, 2026 — Blending elements of psychological thriller, social satire, and psychedelic film, Jerzy Skolimowski’s Cannes-award-winning classic uses its audacious sound design to evoke the terror of English civilization.

Oct 9, 2026 — Hal Ashby nods to Stanley Kubrick, Yasmina Price presents a dossier on Kevin Jerome Everson, and Axelle Ropert plays a game.

Sep 30, 2026 — The Bhutanese director and leading Tibetan Buddhist teacher talks about his wide range of aesthetic influences, his experience working with Bernardo Bertolucci, and film’s connection to meditation.

Sep 29, 2026 — In this tale of four privileged bachelors who embark on a trip to the Indian countryside, Satyajit Ray balances a biting critique of masculine fragility with splendid visual grace.