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Feb 20, 2013 — In this clip from a new interview on our release of On the Waterfront, the Oscar-winning filmmaker Martin Scorsese talks to critic and programmer Kent Jones about how much Elia Kazan’s masterpiece meant to him as a young moviegoer.

Feb 18, 2013 — In our release of On the Waterfront, out today on Blu-ray and DVD, we offer Elia Kazan’s film in a trio of aspect ratios. Our official presentation of the movie is in 1.66:1, but you can also watch it in...

Feb 14, 2013 — David Bordwell and Kristin Thompson’s textbook Film Art, a cornerstone of the cinema studies discipline, was first published in 1979 and is now in a tenth edition. Over the years, some sections have been taken out, either to make room...

Feb 11, 2013 — The movies of the Belgian filmmaking duo Jean-Pierre and Luc Dardenne are at once studies in propulsive forward motion and moral tales that plumb the depths of their troubled characters with jittery concern. In works like La promesse, Rosetta, and...

Jan 28, 2013 — The release of Pina, Wim Wenders’s magical documentary tribute to the choreographer Pina Bausch, has put us in mind of the pioneering work of Martha Graham, the mother of modern dance. For a splendid sample of Graham’s legendary work, check...

Jan 16, 2013 — Restoration Spotlight Criterion’s new restoration of Alfred Hitchcock’s 1934 thriller The Man Who Knew Too Much was a project many years in the making. Since the original negative is missing, the first challenge was to find the best possible source...

Jan 14, 2013 — For our release of Alfred Hitchcock’s early suspense classic The Man Who Knew Too Much, we turned to modern-day horror master and Hitch aficionado Guillermo del Toro (Cronos) to offer viewers a primer on just how important this thriller is...

These stories of discovery and disillusionment capture lives transformed by the open road.

Dec 18, 2012 — With the stage musical Les Misérables coming to the big screen in one of Hollywood’s most anticipated releases of the holiday season, it seemed a good time to remind you about Raymond Bernard’s extraordinary 1934 cinematic adaptation of Victor Hugo’s...

Dec 12, 2012 — Some directors learn their craft in school. Others acquire skills on the job. Christopher Nolan, who never studied film, seems to just have cinema in his blood. In this clip from a new interview on our special edition release of...