The movies of the Belgian filmmaking duo Jean-Pierre and Luc Dardenne are at once studies in propulsive forward motion and moral tales that plumb the depths of their troubled characters with jittery concern. In works like La promesse, Rosetta, and The Son, the brothers’ relentless camera tightly tracks the protagonists to their darkest moments, and then seems to drag them kicking and screaming back to the surface. This extraordinary, action-driven style is also used to great effect in the Dardennes’ most recent release, The Kid with a Bike. Early in the film, Cyril, a restless, unhappy eleven-year-old, runs away from the group home where he lives to try to find his father. As he tries to evade the counselors from the home who have come to take him back, he literally crashes into a woman, Samantha (Cécile de France), who will ultimately change his life. Watch the poignant yet unsentimental sequence.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.
Writing with the Body: Mikey and Nicky as an Actors’ Showcase
Elaine May populated her gangster-film masterpiece with acting heavyweights who could bring spontaneity to their roles. Critics Richard Brody and Carrie Rickey talk about her approach to performance in this clip.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.