The Criterion Collection
On the Channel
Mar 15, 2018 — One of cinema’s great blasphemers takes the spotlight in an episode of the legendary television program Cinéastes de notre temps, now streaming on the Criterion Channel on FilmStruck.
On the Channel
Dec 11, 2017 — In an episode of the groundbreaking IFC series Split Screen, filmmaker Richard Stanley talks about being fired from the production of notorious box-office bomb The Island of Dr. Moreau.
On the Channel
Dec 11, 2017 — Celebrate the centennial of one of silent cinema’s most iconic figures with a documentary about actor Harold Lloyd, now playing on the Criterion Channel on FilmStruck.
On the Channel
Dec 4, 2017 — In a new video on the Criterion Channel on FilmStruck, legendary documentarian Marcel Ophuls discusses his approach to capturing the revealing interviews at the heart of his films.
On the Channel
Oct 30, 2017 — Just in time for Halloween, we’re musing on what it is that makes a movie frightening with the help of filmmaking duo Josh and Benny Safdie.
May 19, 2017 — Pat Healy is an actor who has appeared in dozens of films, including Compliance, Cheap Thrills, The Assassination of Jesse James by the Coward Robert Ford, Magnolia, and Ghost World. His directorial debut, Take Me, in which he stars alongside...
May 11, 2017 — Steve Gunn is regarded as one of the finest guitar players of our era. The Philadelphia native got off to an early start in high school punk bands before establishing himself as a player in different genres and touring internationally....
Nov 11, 2016 — After five great years, we’re bidding farewell to Hulu. We hope you’ll join us over at FilmStruck, the new streaming service we’ve just launched with our friends at Turner Classic Movies.
Nov 10, 2016 — Although Alton Brown is now known mostly for his work in food media, his first career was as a filmmaker. His big break came when he shot the music video for R.E.M.’s 1987 song “The One I Love,” which allowed...
Sneak Peeks
Sep 16, 2016 — Critic Phillip Lopate explores the duality of the director’s approach to his female protagonists and asks whether his films are proto- or antifeminist.