The Criterion Collection
Nov 21, 2008 — Filmmaker D. A. Pennebaker (Dont Look Back, Monterey Pop, The War Room) and Chris Hegedus (The War Room, Startup.com), creative partners and husband and wife, offer these favorites. Note: “This list was supposed to be ten in number, but I...
Nov 21, 2008 — Kevin Macdonald is the grandson of the filmmaker Emeric Pressburger (A Canterbury Tale, The Red Shoes). Macdonald’s directorial credits include 2000's Academy Award–winning One Day in September, about the killing of Israeli athletes at the 1972 Munich Olympics, and 2003's...
Nov 21, 2008 — John Lurie, whose band, the Lounge Lizards, was one of the most acclaimed jazz groups of the eighties and nineties, has recorded twenty-two albums and has acted in several films, including Stranger Than Paradise, Down by Law, and The Last...
Nov 21, 2008 — Dennis Lehane is best known for his novel Mystic River, made into the acclaimed film by Clint Eastwood. When we discovered his love for Criterion, we asked him to write for us, and he did, contributing a terrific essay to...
Nov 11, 2008 — Groundbreaking modernist artist Paul Strand (1890–1976) might have been better known for his photography than his filmmaking, but the two films he directed are both extraordinary testaments to his brilliance. The first, his silent 1921 avant-garde masterpiece Manhatta, a luminous...
A lifelong cinephile, this French filmmaker reinvigorated cinema throughout the sixties and seventies by breaking from the industry’s bloated “tradition of quality.”
From artistically refined epics to gory, pulpy spectacles, these films showcase the richness of a uniquely Japanese action subgenre.
One of cinema’s great subversives and mischief makers, this Spanish master combined surrealist non sequiturs with attacks on the bourgeoisie and the church.
Emerging in France during the 1930s, this movement combined working-class milieus with moody, proto-noir art direction to stylishly represent contemporary social conditions.
Oct 30, 2008 — In town for the New York Film Festival screenings of his much-admired A Christmas Tale, French director Arnaud Desplechin talked to Dennis Lim about his always allusive filmmaking style and his particular influences in making this dysfunctional-family holiday film, including...