The Criterion Collection
Kevin Brownlow was a film collector at eleven and a filmmaker at fourteen. He became fascinated with the silent era and interviewed many of the pioneers, writing The Parade’s Gone By in 1968 and making the miniseries Hollywood in 1980...
Farran Smith Nehme has written about film and film history for the New York Post, Barron’s, the Wall Street Journal, Film Comment, the Village Voice, and Sight and Sound as well as for her Substack, Self-Styled Siren.
Louis Menand is a professor of English at Harvard University. He is a staff writer at the New Yorker and the author of several books, including The Metaphysical Club, which won the Pulitzer Prize for History in 2002.
Eric White is a visual artist showing extensively in the U.S. and Europe, and living in New York City. His work can be seen here.
Steven Vineberg is the author of Method Actors: Three Generations of an American Acting Style; No Surprises, Please: Movies in the Reagan Decade; and High Comedy in American Movies. He teaches theater and film at College of the Holy Cross,...
Stephen Winer was one of the original writers for Late Night with David Letterman. He has also written for comedians Robert Klein and Dick Van Dyke and the Disney Channel’s The All New Mickey Mouse Club.
Bilge Ebiri is a writer for New York magazine, and has written for the Village Voice, the New York Times, Rolling Stone, Bookforum, and many other publications.
Melissa Anderson is the film editor of 4Columns and the author of a monograph on David Lynch’s Inland Empire from Fireflies Press.
Barry Day is a Noël Coward scholar and the author of Coward on Film: The Cinema of Noël Coward.
Kim Morgan is a film writer and screenwriter whose work has appeared in Sight and Sound, Filmmaker magazine, the Los Angeles Review of Books, and the New Beverly Cinema blog, as well as her own blog, Sunset Gun. She cowrote...