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Western

Oct 5, 2016 Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.

Nataleah Hunter-Young is assistant professor in the Faculty of Information and Media Studies at Western University in London, Ontario, Canada, and international programmer at the Toronto International Film Festival, responsible for feature selections from Africa and Arab West Asia.

Rebecca Bengal is a writer born in western North Carolina and the author of the collection Strange Hours. Her stories, essays, and interviews have been published by the Paris Review, Aperture, the Guardian, the New Yorker, and Oxford American.

Emma Ríos is a comic book creator based in A Coruña, Spain. A former architect, she has been working full-time on comics for nearly six years, first at Boom! Studios, then at Marvel Comics, and now at Image Comics. Her...

Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...

Aug 21, 2026 Touring David Lynch’s LA, listening to screenwriter Samy Burch, and deciphering Adam Curtis.

Aug 18, 2026 The Academy Museum has outfitted its theater to present a series of “ultra-rare VistaVision prints as well as 70 mm remasters and new 6K digital scans.”

Aug 17, 2026 Top prizes go to Florin Șerban, Hong Sangsoo, Alessandra Sanguinetti, and Beatrice Gibson.

Aug 13, 2026 In Kidlat Tahimik’s playful and unpredictable film, a Philippine village is tasked with manufacturing thousands of figurines for the Olympic Games, upending the lives and customs of the local population.

Aug 11, 2026 Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.

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