The Criterion Collection
Essays
Nov 21, 2005 — Akira Kurosawa’s late masterpiece is a tragedy fed by Shakespeare, Noh, and the samurai epic; it shows human brutality, warfare, and suffering as if from the eye of a dispassionate God.
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Nov 19, 2001 — Luis Buñuel’s drama is a seductive work that exemplifies, even as it studies, the perversity of human desire.
Essays
Dec 2, 1990 — In Martin Scorsese’s hands, the camera is not simply a recording device, but an x-ray machine—and it shows us close-ups of the human soul.
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.
Essays
Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.
Aug 20, 2026 — A retrospective spotlights the writer’s collaborations with Carol Reed, Fritz Lang, John Ford, Alberto Cavalcanti, and George Cukor.
On the Channel
Aug 19, 2026 — This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.
Aug 11, 2026 — Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.
The Daily
Aug 5, 2026 — MIFF 2026 revives films by Manoel de Oliveira, Lino Brocka, Mary Stephen, Yoshiaki Kawajiri, Michael Almereyda, and Mary Harron.