Sarita Cannon is an associate professor of English at San Francisco State University, where she teaches twentieth-century American literature. Her writing has appeared in African Voices, Journal of Popular Film and Culture, the Black Scholar, Ethnic Studies Review, and MELUS:...

John Pym, who edited sixteen annual editions of the Time Out Film Guide, is the author of a monograph on Preston Sturges’s The Palm Beach Story and two books on the Merchant Ivory partnership. He was educated in England and...

Haskell Wexler is the two-time Academy Award–winning cinematographer behind Who’s Afraid of Virginia Woolf and Bound for Glory. The 1969 film Medium Cool, which he wrote, directed, and shot, was selected for preservation by the Library of Congress in 2003.

Leonard Leff, emeritus professor of English at Oklahoma State University is the author of three books, including Hitchcock and Selznick (University of California Press, 1999). His essay on African Americans and Gone With the Wind appears in The Best American...

Sep 16, 2026 — You may think you already know more than enough about the man, but critics find that there’s “a fearsome power” in the way Gibney’s brought it all together.

Turning Points

The Daily

Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Aug 27, 2026 — The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

Aug 25, 2026 — In her second film, Oscar-winning documentarian Barbara Kopple captures the anguish and perils of disunity in the labor movement and the corrosion of union power during the Reagan era.

Aug 25, 2026 — The pioneering husband-and-wife duo transformed the field of Japanese nonfiction cinema with their portraits of spectacular, edgy personalities and collectives under duress.

Art-House Sci-Fi

The Daily

Aug 19, 2026 — BAM presents visions of a few possible utopias—and plenty of dystopias.

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