Edipo re

Roxana Hadadi is a TV critic for New York magazine’s site Vulture who also writes about film and pop culture, with particular interests in feminism, masculinity, labor and class, and Middle Eastern and Muslim representation.

Inkoo Kang is a critic at the Hollywood Reporter, where she writes about film and television. Previously, she was a staff writer at Slate and a critic at MTV News and the Village Voice. She has written widely about pop...

Steve Massa is the author of Slapstick Divas: The Women of Silent Comedy and Lame Brains and Lunatics: The Good, The Bad, and The Forgotten of Silent Comedy. He has organized and curated comedy film programs for the Museum of...

Neil Sinyard is emeritus professor of film studies at the University of Hull in the UK. He has published twenty-five books on the cinema, including studies of such directors as Billy Wilder, William Wyler, Alfred Hitchcock, Fred Zinnemann, Steven Spielberg,...

Graham Fuller is film editor of the Arts Desk and an editorial associate at Cineaste. He has written about movies for Sight and Sound, Film Comment, Vanity Fair, and the New York Times. He has also contributed essays to the...

Jonathan Lethem is the author of thirteen novels, including Chronic City and Brooklyn Crime Novel. His writings and commentaries on film include the monograph They Live; liner notes for releases of Robert Siodmak’s The Killers, Thom Andersen’s Red Hollywood, Orson...

Jul 22, 2026 — This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.

Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jul 21, 2026 — Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jul 21, 2026 — At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...