The Criterion Collection
On the Channel
Nov 22, 2017 — The Oscar-winning director of last year’s indie sensation Moonlight shares how he fell in love with the art of storytelling in a new conversation on the Criterion Channel on FilmStruck.
The Daily
Sep 21, 2026 — The first phase of the fall festival season wraps with a big win for Javier Calvo and Javier Ambrossi’s La bola negra.
The Daily
Dec 23, 2025 — Head into the holidays with roundtables to watch, articles to read, and podcasts to listen to.
May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...
The Daily
Jul 10, 2025 — A series pairs Bollywood hits with Parallel classics, while India celebrates the Guru Dutt centennial and a new label launches.
Production Notes
Jun 24, 2020 — 1. In 1996, Martin Scorsese’s mother, Catherine—who costars in his 1974 documentary portrait Italianamerican, one of the five early films by the director collected in our new release—collaborated with author Georgia Downard on Italianamerican: The Scorsese Family Cookbook. Among the...
Visual Analysis
Nov 29, 2016 — In the first installment of our new video series Under the Influence, the Moonlight director waxes rhapsodic about Chungking Express and In the Mood for Love.
Jan 25, 2022 — By repeatedly staging the death of the filmmaker’s father with tragicomic flair, Kirsten Johnson’s hybrid documentary grapples with the realities of dementia and finds grace.
Jan 12, 2011 — Scott Morse is a storyteller with one foot in the world of comics and the other in the world of film. His books Soulwind, Tiger! Tiger! Tiger!, and the Kurosawa-inspired tale The Barefoot Serpent have garnered critical acclaim and a...
Mar 2, 2009 — If Dillinger is dead, who will take revenge? There were movies once that began, “Custer is dead,” in which you could reckon that a lot of Indians were going to pay the price. This bizarre film by Marco Ferreri (only...