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In girum imus nocte et consumimur igni

Nov 19, 2014 While revisiting the films for their Criterion release, director Monte Hellman returned to shooting locations, many of which are now underwater; found and interviewed Calvin Johnson, the chief wrangler on both films; and discovered something new in a take of...

Nov 10, 2014 Monte Hellman’s existential westerns take Beckett to the desert.

Oct 28, 2014 What you hear is as crucial—and as funny—as what you see in Tati’s films.

Oct 16, 2014 Repertory PicksThe Loft Cinema in Tucson, Arizona, is kicking off its annual Loft Film Fest tonight with a very special event. The Pulitzer Prize–winning novelist and screenwriter Larry McMurtry will appear in person for a screening of The Last Picture...

Aug 7, 2014 Repertory PicksOn August 13, the Cleveland Museum of Art will screen part one of Raymond Bernard’s monumental 1934 film Les misérables, probably the best big-screen adaptation of Victor Hugo’s novel, and the only one that gave it a running time...

Jul 25, 2014 In April, the great Iranian director Abbas Kiarostami made a special onstage appearance at Indiana University Bloomington to discuss both his career and his latest film, Like Someone in Love, available from the Criterion Collection. We were there to record...

Jun 5, 2014 Repertory Picks San Francisco moviegoers beware—the king of the monsters is stomping into town this weekend. Ishiro Honda’s 1954 classic Godzilla (a.k.a. Gojira) plays at the city’s legendary Castro Theatre on Sunday, June 8. Many remakes and imitators have come...

May 7, 2014 Director Spike Lee is something of a superfan of Billy Wilder’s scathing American media satire Ace in the Hole, as you can see in this clip from an interview with him on our release. He even brought a piece of...

May 5, 2014 The celebrated divot points manfully toward the crest of the next hill, and the next, and the next, and to the horizon after that. Always forward! Into the sunset! Kirk Douglas is on the move: a wagon train of grimace,...

May 5, 2014 Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...

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