The Criterion Collection
In Theaters
Mar 28, 2013 — Repertory PicksAs part of its retrospective And God Created Jean-Louis Trintignant, the Pacific Film Archive in Berkeley is showing a 35 mm print of Eric Rohmer’s marvelous character study My Night at Maud’s on March 29. One of Rohmer’s effortlessly...
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.
Mar 20, 2013 — Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.
Sneak Peeks
Mar 19, 2013 — A distinctive trait of the films of Terrence Malick is the artful way they employ narration. Sometimes the voice-over is dreamy (Sissy Spacek’s in Badlands), sometimes it’s disarmingly concrete (Linda Manz’s in Days of Heaven), sometimes it comprises audacious, poetic...
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
Sneak Peeks
Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...
Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.
Short Takes
Mar 6, 2013 — The great documentarian Allan King burst onto the scene in 1967 with Warrendale, a primal scream of a film set in an experimental Toronto home for emotionally disturbed children. With its fly-on-the-wall approach, this “actuality drama,” as King termed it,...
Sneak Peeks
Feb 28, 2013 — Chronicle of a Summer, a sui generis 1961 collaboration between sociologist Edgar Morin and documentary filmmaker and anthropologist Jean Rouch, is considered a pioneering work of cinéma-vérité. That term—coined by Morin himself—gets thrown around a lot, but what does it really mean?...