The bravura centerpiece of Jules Dassin’s model heist thriller, Rififi, is the elaborately staged burglary itself—a nearly half-hour sequence without dialogue. With surgical precision, the film’s career criminals go about their business in silence—a brilliant directorial choice that leaves us breathless and guessing just exactly how they’re going to pull it off. In this excerpt from an interview recorded for the Criterion Collection in 2000, Dassin talks about that decision.
Jennifer Salt Unravels the Twisted Psychology of Sisters
The actor looks back on her experience on the set of Brian De Palma’s first Hitchcockian thriller and her friendship with costar Margot Kidder.
Is Fassbinder’s Working-Class TV Drama Effective as Political Art?
A public-television commission intended to raise class consciousness, Eight Hours Don’t Make a Day inspired heated debates about its political orientation.