The bravura centerpiece of Jules Dassin’s model heist thriller, Rififi, is the elaborately staged burglary itself—a nearly half-hour sequence without dialogue. With surgical precision, the film’s career criminals go about their business in silence—a brilliant directorial choice that leaves us breathless and guessing just exactly how they’re going to pull it off. In this excerpt from an interview recorded for the Criterion Collection in 2000, Dassin talks about that decision.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.