Thanks to Terence Davies’s distinctive filmmaking style, The Long Day Closes doesn’t quite feel like any other motion picture. This intensely moving, ethereal reverie on a brief happy period of the director’s often sad childhood in Liverpool during the fifties moves in and out of different moods and sensations, rather than laying out a straightforward narrative. His films may come across as stream-of-consciousness, but Davies actually meticulously sets up every shot and music cue in the first draft of his scripts. Often, his plans are ambitious, as is clear from the following magnificently realized scene. Set to Debbie Reynolds’s 1957 hit song ”Tammy,” it is a virtuosic cinematic symphony, composed of incredible high-angle shots of a movie theater, church, and schoolroom, graphically matched to express the importance of those three locations in Davies’s youth.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.
Writing with the Body: Mikey and Nicky as an Actors’ Showcase
Elaine May populated her gangster-film masterpiece with acting heavyweights who could bring spontaneity to their roles. Critics Richard Brody and Carrie Rickey talk about her approach to performance in this clip.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.