Thanks to Terence Davies’s distinctive filmmaking style, The Long Day Closes doesn’t quite feel like any other motion picture. This intensely moving, ethereal reverie on a brief happy period of the director’s often sad childhood in Liverpool during the fifties moves in and out of different moods and sensations, rather than laying out a straightforward narrative. His films may come across as stream-of-consciousness, but Davies actually meticulously sets up every shot and music cue in the first draft of his scripts. Often, his plans are ambitious, as is clear from the following magnificently realized scene. Set to Debbie Reynolds’s 1957 hit song ”Tammy,” it is a virtuosic cinematic symphony, composed of incredible high-angle shots of a movie theater, church, and schoolroom, graphically matched to express the importance of those three locations in Davies’s youth.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.