Thanks to Terence Davies’s distinctive filmmaking style, The Long Day Closes doesn’t quite feel like any other motion picture. This intensely moving, ethereal reverie on a brief happy period of the director’s often sad childhood in Liverpool during the fifties moves in and out of different moods and sensations, rather than laying out a straightforward narrative. His films may come across as stream-of-consciousness, but Davies actually meticulously sets up every shot and music cue in the first draft of his scripts. Often, his plans are ambitious, as is clear from the following magnificently realized scene. Set to Debbie Reynolds’s 1957 hit song ”Tammy,” it is a virtuosic cinematic symphony, composed of incredible high-angle shots of a movie theater, church, and schoolroom, graphically matched to express the importance of those three locations in Davies’s youth.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.