The Criterion Collection
The Daily
Feb 8, 2019 — He became a star in Britain’s “angry young men” era, but some of his best work would come decades later.
The Daily
Feb 8, 2019 — Norman Jewison and Ray Charles, Jules Feiffer and Alain Renais, and Jia Zhangke and Apple.
Feb 6, 2019 — On the Criterion edition of Secret Sunshine, Lee Chang-dong describes his creative process as one of utter despair. That should come as no surprise to anyone who knows his work. Since making his feature debut, Green Fish, in 1997 at...
Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
Feb 1, 2019 — It’s hard to look away from the stunning lead performances by Sidney Poitier and Rod Steiger in Norman Jewison’s In the Heat of the Night. But no one who watches the seething procedural will soon forget Lee Grant as the...
In Theaters
Jan 31, 2019 — Repertory Picks Tomorrow, two of Jackie Chan’s most furiously entertaining blockbusters will swing their way back into theaters, as Police Story (1985) and Police Story 2 (1988) begin a run at Brooklyn’s Alamo Drafthouse in new 4K restorations, courtesy of...
Production Notes
Jan 31, 2019 — Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...
On the Channel
Jan 30, 2019 — We’re excited to announce that our new streaming service for movie lovers, the Criterion Channel, will be launching on April 8 in the U.S. and Canada. It will be available on desktop, Roku, Amazon Fire, Apple TV, iOS, and Android...
The Daily
Jan 30, 2019 — An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.