It’s hard to look away from the stunning lead performances by Sidney Poitier and Rod Steiger in Norman Jewison’s In the Heat of the Night. But no one who watches the seething procedural will soon forget Lee Grant as the distraught widow of the industrialist Philip Colbert, whose murder the two main characters are charged with solving. As Grant describes in the above clip, taken from a new interview on our packed new edition of the Oscar-winning film, the indignation she radiates in the role—the sense of helpless outrage at being ill-served by the authorities in her own community—had its roots in real life. Blacklisted in 1951 for making critical statements about the House Un-American Activities Committee hearings, Grant didn’t return to the big screen until 1967, when, at the age of thirty-six, she was cast in In the Heat of the Night. As she says in the above excerpt from the interview, the film allowed her to express “the rage that I didn’t even know I was sitting on,” after having spent many years working in theater, where the blacklist wasn’t in effect.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.