The Criterion Collection
Dec 6, 2011 — Ernst Lubitsch’s Design for Living (1933) is what sexy should be—delightful, romantic, agonizing ecstasy. And it’s not just sexy but also revolutionary, daring, sweet, sour, cynical, carefree, poignant, and so far ahead of its time that one could cite it...
The Daily
Jul 10, 2026 — We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.
Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
The Daily
Feb 9, 2024 — We’re taking Black History Month viewing recommendations, listening to Peter Bogdanovich’s podcast, and reading about London critics’ favorites.
The Daily
May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.
Sep 29, 2021 — Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
Sep 26, 2010 — The Thin Red Line, arguably the greatest war film ever made, ended two decades of silence from Terrence Malick, cinema’s wandering auteur. The silence wasn’t entirely self-imposed, since during this time he tried to launch a few productions—including a tale...