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Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Apr 22, 2015 — Knowing Martin Scorsese was a fan of Jean Renoir’s India-set The River, we asked him to record an introduction when we first released it in 2004 (since then, he even included it in his Criterion Top 10, calling it “a...

Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...

Apr 1, 2015 — Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.

Mar 30, 2015 — A master of using the camera to draw truth from interview subjects, Errol Morris was unsurprisingly a candid and fascinating interview subject himself in new supplements we made for the Criterion releases of Gates of Heaven/Vernon, Florida and The Thin...

Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.

Mar 25, 2015 — Long unheralded and at last rediscovered, actor-director Robert Montgomery’s Ride the Pink Horse is one of the key Hollywood features of 1947, the year film noir flooded the screen like a ruptured reservoir of India ink. Adapted from the popular...

Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.

Mar 23, 2015 — When we think of film noir, we think of shadowy city streets, often in Los Angeles or New York. But Robert Montgomery’s Ride the Pink Horse, which we released last week, is one of a handful of dark-toned films made...

Mar 19, 2015 — The author recalls his encounters and correspondence with the filmmaker.