A master of using the camera to draw truth from interview subjects, Errol Morris was unsurprisingly a candid and fascinating interview subject himself in new supplements we made for the Criterion releases of Gates of Heaven/Vernon, Florida and The Thin Blue Line. In this excerpt from a conversation about Gates of Heaven, Morris begins by discussing how he came to make a film about pet cemeteries, before getting deeper into his ideas about documentary aesthetics and his rejection of the notion that there is “a correct way to tell a story” in a nonfiction film.
Charles Burnett Calls Forth the Ghosts of the Old World
In an interview program on our edition of To Sleep with Anger, the director and his actors discuss the African-American folkloric traditions at the heart of the film.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.