When we think of film noir, we think of shadowy city streets, often in Los Angeles or New York. But Robert Montgomery’s Ride the Pink Horse, which we released last week, is one of a handful of dark-toned films made after World War II that take place in very different settings. As Imogen Sara Smith (author of In Lonely Places: Film Noir Beyond the City) explains in this excerpt from a longer interview on the release, it’s part of a subgenre of nonurban noir set on the Mexican border, a place that offers a “mirage of safety” as well as themes of culture clash.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.