Akeelah and the Bee

Dec 11, 1986 — If events had turned out differently, Orson Welles’s second film might well be widely regarded as “the greatest film of all time.”

Dec 9, 1985 — Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...

Jul 22, 2026 — The filmmaker looks back on the experiences that have shaped his creative life, including his time in art school, his work as a graphic designer and music-video director, and his early interest in documentary cinema.

Jul 14, 2026 — The legacy of Neil Jordan’s The Crying Game has become inextricably entangled with a defining trope of AIDS-era mainstream queer representation: the revelation that exposes the gender identity of a transgender character. By the time of the American release of...

Jul 14, 2026 — On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a small explosive planted alarmingly close to the prime minister’s residence at 10 Downing...

Jun 30, 2026 — The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 8, 2026 — Asia Society presents a seven-film retrospective in New York from Thursday through Sunday.

May 27, 2026 — When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

Apr 28, 2026 — Opening with Jane Fonda’s tribute to Robert Redford, this year’s edition features several world premieres of new restorations.

Apr 20, 2026 — For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”