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No Time

The actor talks about My Darling Clementine and his newfound love of westerns, praises the timeless exploration of morality in 12 Angry Men, and looks back on auditioning for No Country for Old Men.

Chris Morris is music editor of the Hollywood Reporter, columnist for Los Angeles CityBeat, and host of Watusi Rodeo on Indie 103.1 in Los Angeles. He received a Grammy Award nomination for his liner notes for Rhino Records’ 2003 box...

Sep 29, 2020 Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Mar 13, 2020 Maybe in tough times we can draw strength from our passion for great cinema.

Dancing Chaplin

Visual Analysis

May 23, 2018 In some of his most elaborately choreographed set pieces, the silent-comedy master confronted the chaos of the world with balletic grace and rhythmic precision.

Sep 26, 2011 No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.

Deep Dives

The Daily

Aug 7, 2026 This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Jul 28, 2026 Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.

Jul 22, 2026 This year’s Gala and Special Presentations will include new work from Tim Blake Nelson, Takashi Miike, Wayne Wang, and Anton Corbijn.

Being There

The Daily

Jul 10, 2026 We’re celebrating the Harry Dean Stanton centennial, listening to Ross McElwee and Tsai Ming-liang, and revisiting the work of Bruce Conner.

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