The Criterion Collection
Essays
Sep 26, 1993 — Kon Ichikawa’s magisterial achievement is a barbed, poignant, and seductive elegy that draws on the skills he acquired over his four-decade career.
The Daily
Aug 3, 2026 — The American Cinematheque presents six of the eleven films Douglas Sirk and cinematographer Russell Metty made between 1952 and 1959.
The Daily
Jun 18, 2026 — We’re wrapping the week with top docs, Black writers, screwball comedies, and appreciations of Raoul Peck and Jafar Panahi.
The Daily
Apr 22, 2026 — Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.
Mar 30, 2026 — Suffused with visual beauty and moments of magical realism, Jess X. Snow’s queer diasporic cinema invites us to imagine new possibilities for freedom, transformation, and intergenerational healing.
The Daily
Mar 2, 2026 — A New York retrospective offers Eyes Without a Face, naturally, but also rarely screened features and nonfiction shorts.
The Daily
Oct 20, 2025 — The Mexican director’s oeuvre, spanning half a century, is undeniably dark but also deeply humane.
The Daily
Aug 4, 2025 — The Lovers on the Bridge (1991) is restored, a series is on in New York, and another heads to Austin.
The Daily
Jul 3, 2025 — The week wraps with Peter Wollen on Performance, a top ten from Radu Jude, and a conversation with Dag Johan Haugerud.
The Daily
Jun 5, 2025 — The festival is hosting film premieres, live performances, immersive experiences, and conversations about a few enduring movies.